
Painted Tibetan 'Dragon' Storage Chest - 18th Century
This gold & red 18th century Central Tibetan chest was originally destined for use in monasteries. Two opposing dragons support a vase of The Seven Gems inside a central cartouche. The designs are created in luxurious kyung bur raised gessowork suggesting this was an expensive commission by a wealthy patron for a monastery.
Tibetan chests and trunks were used as storage in homes and monasteries. Boxes are normally made from cedar, pine or poplar. This chest is unusually painted on the sides and top. The front is painted onto fabric applied to the wood and bound with hard beaten iron.
The dragon (druk in Tibetan) is a symbol of power and authority and was associated with the water element rather than fire as in the west. The dragon is an ancient symbol recognisable examples can be found as early as the Han dynasty (206 BC - AD 211).
References:
Similar examples can be found in 'Tibetan Furniture: Identifying, Appreciating, Collecting' by Chris Buckley fig.129, Auspicious by Design by C. Corona, plate 38 & plate 40
From Tibet
UK Delivery Charge - except Highlands & Islands £40
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Painted Tibetan 'Dragon' Storage Chest - 18th Century
This gold & red 18th century Central Tibetan chest was originally destined for use in monasteries. Two opposing dragons support a vase of The Seven Gems inside a central cartouche. The designs are created in luxurious kyung bur raised gessowork suggesting this was an expensive commission by a wealthy patron for a monastery.
Tibetan chests and trunks were used as storage in homes and monasteries. Boxes are normally made from cedar, pine or poplar. This chest is unusually painted on the sides and top. The front is painted onto fabric applied to the wood and bound with hard beaten iron.
The dragon (druk in Tibetan) is a symbol of power and authority and was associated with the water element rather than fire as in the west. The dragon is an ancient symbol recognisable examples can be found as early as the Han dynasty (206 BC - AD 211).
References:
Similar examples can be found in 'Tibetan Furniture: Identifying, Appreciating, Collecting' by Chris Buckley fig.129, Auspicious by Design by C. Corona, plate 38 & plate 40
From Tibet
UK Delivery Charge - except Highlands & Islands £40
More delivery options available at checkout
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Description
This gold & red 18th century Central Tibetan chest was originally destined for use in monasteries. Two opposing dragons support a vase of The Seven Gems inside a central cartouche. The designs are created in luxurious kyung bur raised gessowork suggesting this was an expensive commission by a wealthy patron for a monastery.
Tibetan chests and trunks were used as storage in homes and monasteries. Boxes are normally made from cedar, pine or poplar. This chest is unusually painted on the sides and top. The front is painted onto fabric applied to the wood and bound with hard beaten iron.
The dragon (druk in Tibetan) is a symbol of power and authority and was associated with the water element rather than fire as in the west. The dragon is an ancient symbol recognisable examples can be found as early as the Han dynasty (206 BC - AD 211).
References:
Similar examples can be found in 'Tibetan Furniture: Identifying, Appreciating, Collecting' by Chris Buckley fig.129, Auspicious by Design by C. Corona, plate 38 & plate 40
From Tibet
UK Delivery Charge - except Highlands & Islands £40
More delivery options available at checkout






















